Description | Price |
Standard covers setlist up to 2 x 45 minute set | £80 |
Standard covers setlist up to 2 hours | £110 |
Rehearsal Cost (up to two hours) | £40 |
Rehearsal Cost (up to three hours) | £60 |
Originals Band up to 1 hour | £100 |
For an easy, all-in-one landing page of my portfolio and playing, please see: campsite.bio/jamiedrumz
For examples of my work, please see my videos.
With a passion for hitting hard and a career spanning nearly two decades, I'm Jamie: a professional drummer based in Kent with my own fully equipped studio and touring equipment. While my speciality lies in rock and metal music, I’ve expanded my repertoire over the course of my career to include a diverse range of genres such as jazz, funk, hip-hop and pop. Alongside my freelance work as a musician, I’ve also been teaching drumming for over six years privately and at music schools.
I maintain a high quality, professional gigging setup (complete with microphones as needed) and also own a Yamaha DTX500K for electronic gigs. Please see my photos for examples. Drums are my passion and I've played for over twenty years. I teach, work and produce from my own professional studio and have toured and recorded extensively with a variety of bands and artists.
Notable examples include Novacaine Nothing, proxxy, Night Thieves, Immortal Machinery (with whom I have toured extensively across Europe), and The MLN Ensemble.
Currently, I work as a freelance musician and play for various projects in and around the South East, including Brad Pittance and The Pirates, The Nylon Tigers, Jonah’s Wail and Delbert Fandango & The Japanese Munchweeds (or The Munchweeds for short).
I’ve also played live for various hip-hop artists including Antlive, Ras Kass, and John Jigg$.
Alongside my freelance work, I'm also currently the house drummer for the often sold-out monthly jazz and funk jam night in High Wycombe known as Catch22 Jams, run by The MLN Ensemble, who also hire me to play the annual Wycombe Jazz Festival and High Wycombe’s FrogFEST. I’m always growing and playing a variety of styles and gigs, working professionally in the industry as well as teaching (I’m Enhanced DBS Verified).
I always plan and chart out my gigs competently, sometimes noting out unusual medleys at short notice. The least notice I’ve ever had for a gig was roughly 48 hours… and I still pulled it off! My attitude is punctual, professional and thorough. I show up on time, look good, sound good, and with an excellent attitude. Whether it’s a loud and proud stadium rock show, a bouncy reggae gig at an outdoor festival, or a classy jazz and funk jam at a cocktail bar, I take my craft seriously and love what I do.
Based in Ashford, Kent
Here is a selection of some of the most recent songs I've learnt for different bands, just to give you an example:
About Damn time - Lizzo
Africa - Toto
Bad Guy - Billy Eilish
Come On Eileen
Don't start now - Dua Lipa
I Got You (I feel Good)
I’m Still Standing
Mr Bojangles
Mr Brightside - Killers
Park Life - Blur
Shake a Tail Feather - Blues Brothers
Shut up and Dance
Superstition
Sweet Caroline - Neil Diamond
Thinking out loud
Uptown Funk
Valerie
We are family
Wham! Medley
YMCA - Village People
20th Century Boy - T Rex
500 miles - Proclaimers
ABBA - most hits
All along the Watchtower - Jimi Hendrix
All Day & All Of The Night - Kink
Alright Now - Free
As It Was - Harry Styles
Blinding Lights - The Weeknd
Bob Marley - most hits
Brown Sugar - Stones
Can't Get Enough - Bad Company
Can’t Take My Eyes Off You - Andy Williams
Changing Man - Paul Weller
Cocaine - Eric Clapton
Come Together
Comfortably Numb - Pink Floyd
Crazy - Gnarls Barclay/Pink
Creep - Radiohead
Dakota - Stereophonics
Do You Love Me – The Contours
Free Bird - Lynyrd Skynyrd
Free Falling
Get It On - T Rex
Get The Party Started - Pin
Here I Am Baby
Hey Joe - Hendrix
Highway To Hell - AC/DC
Honk Tonk Woman - Stones
I fought the Law - Clash/Green Day
I Predict A Riot - Kaiser Chiefs
I'm a believer
I’ve had the time of my life
Johnny B Goode/Tulane
Jumping Jack Flash - Stones
Let the good times roll
Let’s Dance - David Bowie
Living on a prayer
Locked out of Heaven - Bruno Mars
Love Shack
Madness - most hits
Molly's Chamber - Kings of Leon
Money
Need You Tonight - INXS
Proud Mary - Tina Turner
Purple Rain - Prince
Queen - most of their songs
Radar Love - Golden Earring
Rebel Rebel - Bowie
Rockin’ All Over The World - The Quo
Rocks - Primal Scream
Rocks Off - Primal Scream
Route 66 - Stones/Feelgoods
Rumble Link - Ray
Run
Run to you – Bryan Adams
Seven Nation Army - White Stripes
Shallow
She Sells Sanctuary - The Cult
Should I Stay Or Should I Go - Clash
Sledge Hammer - Peter Gabriel
Smoke On The Water
Smooth - Sanatana
Strange Brew - Jimmy Cople
Stuck In The Middle With You
Sultans Of Swing
Summer of 69
Sweet Home Alabama - Lynyrd Skynyrd
Tainted Love - Gloria Jones
Teenage Kicks - Undertones
Torn - Natalie Imbruglia
Treasure - Bruno Mars
Watermelon Sugar - Harry Styles
Whiskey In The Jar - Thin Lizzy
White Wedding - Billy Idol
Word Up
You really got me – The Kinks
I need a little bit of space for the kit! Ideally 2m x 1.6m, but this can be accommodated as per your needs (see my photos for examples). I'm no stranger to squeezing into small spaces (or playing very large ones, for that matter).
I use my own in-ears and often happily play to a click (usually monitored and controlled by myself) - it depends on the band's desires. I have a rig of blue lights I usually drape accross the kit to beautiful effect.
Microphone equipment including stands (but NOT XLRs) costs an additional £30. This includes Kick, Snare, two toms, two overheads. However, the kick mic is included as standard, free of charge. If you do require this, please make it clear when contacting me.
Please let me know about parking arrangements.
N/A
I use high quality Tama Superstar Birch shells, a beautfiful Pearl Sensitone Brass Snare and various Paiste and Zildjian cymbals, depending on the nature of the show. The kit always sounds superb and can be tuned as needed depending on the gig requirements. I also own a steel Pearl snare and a Mapex Hammered Bronze Snare.
I can provide microphones for the drum kit if desired (excluding XLRs). I can also drape a set of blue lights accross the kit for added effect.
Absolutely I can. If you're able to provide me with all the recorded tracks (I don't have the equipment to do this) I can mix the music for you for an additional fee. As a guide, it'd be roughly £25 per track, depending on the complexity. This includes mastering.
I'd be delighted to. Getting a great sound is a crucial part of putting on a superb show. To be clear, I don't own a mixing desk etc myself; but I do have considerable experience mixing live bands and have done it professionally on an ad-hoc basis. I would consider this part of the service, I wouldn't charge extra for this. (Please bear in mind however that I can't mix once I'm sat behind the kit!).
My personal favourite gig took place at the B2 Venue in Norwich a few years ago. I was playing in my first ever metal band, the venue was packed and we played a full set of original material. People lost their minds. I've never felt such a rush. I've played to much bigger audiences, but there's nothing quite like seeing people go absolutely wild to your music.
The best venue is hard to pick, but all round it would have to be the Vestry Hall in Cranbrook. It's a huge, beautifully lit hall with vast-sounding acoustics. Neverthless, the sound engineer was a true pro and ensured we sounded fantastic, which can easily make (or break) a show.
Joey Jordison was and still is my No. 1 inspiration when it comes to drums. I'm still a huge metal fan at heart, despite my career not being very metal at all! That said, the greatest song of all time is Sadist by Stone Sour.
Please see my basic info.
Definitely parties (which I suppose includes weddings). The music is always fun to play and people always enjoy themselves and have a really good time... especially after a few drinks!
In a word: yes. However, I wouldn't be comfortable sight-reading cold on the night. I always prepare for all my gigs as much as possible beforehand, usually making my own charts and notes.
I prefer to arrive at least an hour beforehand to allow ample time to set up without rushing. That said, I can do it in half an hour if needs be (assuming I'm playing a full kit).
Absolutely, as long as the ground is level and firm enough to put my drums on and there's cover from the wonderful British weather.
The clients' needs are always top priority. It's not about me: it's about the music and delivering a professional service.
I am pleased to say that the vast majority of people I've worked with appreciate the consistency of my playing, my punctuality, my preparation of the material, my ability to improvise when necessary and, perhaps most importantly, my ability to adapt to the show at hand: a quiet background group playing a sophisticated drinks bash requires a very different attitude and play style from a wild 80s rock’n’roll gig.
Usually, yes. It depends on the gig and what the band like and/or expect.
I certainly can. Just bear in mind that the samples I have will be limited to the Yamaha DTX range (which includes 100s of different sounds). I won't be able to play custom samples.
A plethora of agencies, weddings, festivals, private parties, coffee shops, pubs, bars, restaurants, clubs, corporate events, and music venues.
Please see above. Some of my favourites include a tour of clubs in southern Spain, the SU at Buckinghamshire New University, The Front Room in Wycombe... and even Kings Hill Gold Club!