Performance space of 3x3m. 13 amp power socket for speakers. 1 parking space. Breakout space for changing/refreshment.

All audio equipment provided.

An image/description of the performance space so I can gauge whether a mic is needed for vocals or not (if applicable to the style).

Parking information.

Yes, we’re happy to play music from Spotify before, after and between our sets. We’re happy to choose the music ourselves or let the client choose the music.

My favourite performance was a two-hander semi-staged opera with Beth Moxon (mezzo). The mix of concert performance and staged opera was a fun challenge and it was great to sing to a full house.

The best venue I've ever sang at is hands down the Royal Albert Hall.

Jessye Norman is my opera hero, her voice is what inspired me to be an opera singer and I hope to have the same fullness and gravitas of sound one day.

For more chilled sets, I love Melody Gardot who I discovered in my undergrad when making piano arrangements of her My One and Only Thrill album.

Having come from a purely stage performance background, I started gigging from concert hall bookings and realised I love putting together set lists and working as part of someone's special occasion.

I love all sorts of events, but weddings are extra special for me, particularly if I'm singing as part of the ceremony.

I typically need around 30 minutes to set up and check equipment. I tend to find one set of 6omins, or 2x 30min sets works best.

Yes! Ideally not in the rain, and there would need to be a power supply near the performance area.

Of course! I typically like to limit requests for songs not part of my usual repertoire, but can agree all this beforehand with the client.